It just occurred to me that in all the years that I’ve been writing my barely-read, in-the-shadows reviews for movies ranging from the oldest to the latest that I never wrote an official one for John Krasinski’s A Quiet Place from 2018. So, because its sequel is far superior to the other, which cements Krasinski as a keen director of Hitchcockian suspense, I’ll also include the first one in this short little piece that predictably, no one will most likely read and will float in cyberspace forever or until the site goes down.
When we start A Quiet Place 2, we meet the family at the center of its streamlined, minimal plot. Still trying to reach some form of safe harbor, Evelyn Abbott (Emily Blunt) her son Marcus (Noah Jupe), and deaf-mute daughter Regan (Millicent Simmonds) arrive at a fenced-off area in s steel foundry. Unaware that it is a minefield of booby traps, Evelyn accidentally sets one off. As they run towards for shelter from the extremely sound-sensitive aliens that now roam the Earth, Marcus accidentally steps over a bear trap in one of the movie’s more shocking, gruesome scenes.
When the Abbotts reach safety, they run into an old friend, Emmett (Cillian Murphy). Emmett, a lone-wolf survivor who maks it clear their presence will attract more danger, tells the Abbotts they cannot stay. In the meantime, Marcus has been listening to snippets of “Beyond the Sea” playing over and over. Regan realizes that the song’s continuous playback is code to a safe haven. Not wanting to wait around, Regan takes off on her own to find the source of this transmission and use her cochlear implant as a weapon against the nasty aliens that have upended the entire planet.
More often that not, sequels to movies tend to meander in the middle, not quite concluding as much as advancing the plot to the finale that will surely arrive with all the bells and whistles to satisfy its audience. A Quiet Place 2 is the rare sequel/second part that is a massive improvement over the excellent first. While the first movie painted a warped picture of domestic life after a doomsday scenario, A Quiet Place 2 expands on that by giving us a front-row seat to Day Zero when the aliens first arrive. The scene is as gripping as it gets and establishes the tone of the movie. Grounding the story with an action sequence that is a tour-de-force of visual narration, the Abbott family, and Emmett, witness their sunny day go to hell in moments that seem to be too fast to digest, and quite on the spot transform from befuddled spectators to unrelenting survivors.
If the scene might falter just a bit, is in the self-awareness of moving in silence the characters exhibit, but I was okay with that, the same way I was okay with the obvious plot device of the upturned nail on the creaky barn stairs of A Quiet Place. No story has to be perfect to make sense. Even Hitchcock was aware of that and gave next to no explanation on why Annie simply vanishes after the attack scene on the children at the Bodega Bay school in The Birds. He simply wrote her out in a memorable scene and let the other actors (Tippi Hedren, Rod Taylor, and Veronica Cartwright) do the heavy lifting.
Speaking of Hitchcock, and I know this is my third mention of him, Krasinski has, with his sequel, created a nerve-wracking movie of sheer tension. There was plenty of this in the first movie, particularly when Evelyn makes the painful acquaintance of the aforementioned nail and then delivers her baby as her husband Lee (Krasinski) rushes to the barn to save her from a creature she has unwittingly attracted.
Krasinski outdoes himself when he splits the family unit up. [And who didn’t see this one coming?] Regan, who emerges as the badass of the movie, leaves the safety of her surroundings against the warnings of Emmett to search for the source of the radio transmission. Evelyn departs to a nearby town to get supplies for her family and leaves Marcus, and her baby, behind in the safety of the foundry. How Krasinski goes by unspooling these separate plot threads into one cohesive entity is what suspense should be like. It reminded me of the type of movies Brian De Palma used to do, in which the action transpired in more than one location. While Krasinski never employs long panning or tracking shots like De Palma, he delivers nail-biting thrills that go right over the edge without taking the movie off of its rails.
A Quiet Place 2 is available on Paramount + and most online streaming services,