Just when you couldn’t get another zombie-movie, and with Zombieland: Double Tap still in its last throes in theaters (as of late November), here we get a surprise import from Japan that is sure to satisfy those who like their horror with a healthy dose of the chuckles and a meta slant. Shin’ichirô Ueda’s movie One Cut of the Dead, now available to stream on Shudder, doesn’t invent new grounds, but it offers quite a bit in terms of the fictional suddenly becoming real. A director of art films goes into a closed-off military base where “horrible experiments were made on people” — itself perhaps a nod to Japan’s own checkered past going back to World War II — to film a zombie film, and before you know it, his stage becomes itself invaded by zombies hungry for the entire cast.
It’s all done in a rather impressive shot lasting 40 minutes in length and ends in the Final Girl having disposed of her beau. What the movie then becomes — we then realize — is its own movie within a movie, with the director yelling “Cut!” which then throws us out of the horror narrative proper, and back into the making of the movie per se, from conversations with producers to get it done to finding the cast to then settling down to the actual location in order to start filming proper, which leads us then to the final third of the movie, which is where it delivers on its premise on showing us how it somehow became a meta-horror picture in the first place.
One Cut of the Dead is, honestly, nothing new in the zombie genre. But for a picture to take such a tired, overdone theme and subvert it unto itself to create a rollicking comedy filled with moments of choreography and improvisation, now, that’s something I can bite into. Give it a look see. You’ll be glad you did.