Let me start by saying, the promos are misleading. The pie in the face imagery seems like something pulled off of some of the shots of Booksmart, and while I didn’t take issue with that, nothing could have prepared me for the untenable bag of insufferable cruelty masking as a cohesive narration that Shia LeBouf, an actor who at one point I thought had great potential, unleashes on his audience. This is something that tends to occasionally pop up in independent cinema: among the clever new entries and occasional borefest man the 1,000 coming of age stories there is one that is none of them. It’s about pain, and anguish, and the horror of surviving it, and while I don’t mind a good story being told, once in a while we get something so painful one feels almost dirty after the credits roll.
That experience is Honey Boy.
I don’t want to eviscerate the movie because it seems to, at least in concept, to have been born from Shia LeBouf’s own painful story of growing up basically parentless while he worked as a child actor. A lot of actors have had horror-parents that pushed their kids to the utmost limit while cashing in on their fame and then shoving their acts of theft down their terrified kids’ throats with the logical explanation that if it wasn’t for them, the monster parents, those kids wouldn’t even be alive.
And that’s a sorry, unforgivable situation, one that I struggle with because abuse is abuse no matter how you color it. Once kids are subjected to any level of abuse, it will always be an uphill battle to escape that nightmare and hopefully emerge intact by virtue of spiritual fortitude at the end of the tunnel. Note that I say the word hopefully, because more often than not, the scars remain, and the child now becomes just as bad as the abuser, or repeats a cycle by marrying into it, or, as in Shia LeBouf’s case and as acted by Lucas Hedges in a performance and role that should have been expanded more on, acting out. That, in short, is just pain begging for attention and unable to express itself other than acts of mindless rage,.
The movie focuses on LeBouf’s alter-ego Otis (Noah Jupe as a child; Hedges as a young adult) and his often contentious relationship with his walking train-wreck father (Shia LeBouf). As an adult, Otis finds himself coming out of a violent altercation with the police and having to go into therapy to potentially remedy his situation. HIs therapist (Laura San Giacomo) suggests Otis revisit the past (like most therapists always do; find the source of the pain and then through immersion, get past it). We flash back to when Otis was a 12 year old at the mercy of his deadbeat father who believes himself to have been a lost prodigy of sorts and is not above stealing Otis’ earnings, or upheaving the boy’s life to serve his needs. Otis starts a tentative relation with an older woman he calls Shy Girl (FKA Twigs), which does not go over well with Otis’ father (or let’s say, Otis’ father’s unbelievably massive ego).
Undeterred, Otis attempts on more than one occasion to understand the sordidness of his life and in all builds up to a boil when he confronts his monster-father. That does not go down well, and Otis is left, again, destitute and helplessly codependent on his father.
The worse part of Honey Boy is that, even though it is autobiographical, it makes no attempt to resolve this untenable situation between father and son, and while the indie crowd might have applauded it for not going into easy resolutions, at one point one has to wonder, who did Shia LeBouf make such a horrible movie for? It brought me back to another, equally repulsive movie I saw years ago by Asia Argento, The Heart if Deceitful Above All Things, itself based on JT Leroy’s (Laura Albert’s) novel of the same name. That one was even crueler. Honey Boy serves as neither great cinema nor story telling; the characters flit in and out without any narrative purpose and we get only Shia LeBouf letting his father off the hook at the end (this is not a spoiler) and Otis in limbo. You can watch this for an experiment in how much torture you can stand. I just wouldn’t recommend it if I had any say in it.