Instinct would say that you can never go home again, but when you have unfinished business, an ailing parent, and nowhere else to go, then home might be your only option. Franka Potente (the star of Run, Lola, Run) steps behind the camera to direct this heartfelt, but sometimes a tad on-the-nose drama of a convict who, released from prison for a terrible crime he committed years ago, decides to come home to start over.
Marvin (Jake McLaughlin) is a man of no resources of his own; all he has is the sheer determination to survive and hopefully make some form of amends. His mother Bernadette (Kathy Bates, as usual, excellent), isn’t too open to the idea. She’s been on her own forever and not much has changed since he walked out of her life. To add conflict, the town itself has little in the way of sympathy for Marvin — after all, the crime he committed was truly heinous and had no reason or logic. The family members of the woman he killed, led by hate-filled Russell (James Jordan) are living in arrested development, caught in the spirals of that unresolved crime, and are basically in wait for Marvin to arrive.
In the middle of this, is a young woman named Delta (Aisling Franciosi, of The Nightingale) who was a child when Marvin committed the crimes. Her story has her going nowhere fast as a small-time drug pusher barely surviving on the scraps she makes. Somehow, Potente figures out a plausible way to have Delta and Marvin somehow meet in the middle, purely by chance, and have their barely budding friendship be a harbinger of better things to come.
Potente’s movie shows a promising director attempting to tell a story that seems to stem from the heart. While that is good for the most part, because it establishes a deep mother-son bond early on, it also saps the story from a little bit of tension. She at first sets up a potential showdown that grows and grows… but fizzles. At first, I thought, what was the purpose? and then realized that perhaps it needed to go that way to expand the story from its potential and predictable showdown, complete with Western overtones.
Potente instead veers the story towards Marvin’s rehabilitation through his encounter with Delta and his friendship with Jayden (Lil Rel Howery), a man who takes care of Bernadette. We see the movie go into Marvin’s character development in which he comes out of his shell and finally seems to be the man he should have, far removed from his old, more violent persona. McLaughlin manages to convey Marvin’s transformation through his soulful eyes and vulnerable body language — he doesn’t even attempt to defend himself in a crucial early scene.
Home isn’t perfect, though. One of its blunders is not knowing what to do with Wade (Derek Richardson). Wade is the one who knows Marvin the best and might be considered his ride-or-die friend. The problem is, Potente keeps him in the film for much longer than she needs to, and that in essence, slows the movie down to a crawl. One scene would have been more than enough to inform us that yes, these two have a deep bond, and as broken as they both are, they can still cling to each other for support.
Its ending also resolves itself in a religious setting which probably will push the limits of belief with some viewers. It’s not that movies can’t have a slight religious overtone, but Potente’s script calls for an almost Biblical intensity to a moment where a character can finally achieve some form of resolution, and it shouldn’t have happened that way, at least, not credibly. I, for one, was not too moved by this sequence. It just seemed to belong in one of these religious movies that are tailor-made for Christians and star Christian actors. However, this is the movie that Potente wished to release, and there it is, imperfections and all.
Home is awaiting distribution, so it has no release date yet.