BAD HURT

1.5 out of 5 stars (1.5 / 5)

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Bad Hurt is one of those movies where everything that can possibly befall a family does so, in groups, without a moment of rest in between. In fact, so much misery happens in such a short period of time it almost becomes numbing. You keep expecting the ground opening to swallow them up. Again, why I avoid many TriBeCa Film Festival movies. This is suffering porn.

So, let’s see. There’s this Irish family, the Kendalls living in Staten Island, and by living, I mean going through the motions while chaos, madness, sickness, and never-ending agony dances around them without an end in sight.

Elaine and Ed Kendall (Karen Allen and Michael Harney) head the household and provide 24-hour care to their severely, mentally disabled daughter DeeDee (Iris Gilad) who constantly seems to be on the verge of going deliriously manic and has to be taken out of the special needs school due to her violent tendencies. DeeDee, however, has made a friend in Willy (Calvin Dutton), and that friendship seems to have romantic overtones.

Kent (Johnny Whitworth) is the next son who once served the Gulf War and since then  suffers from crippling PTSD — so much that his capacity to communicate verbally is impaired and he is dependent on pain killers and Elaine’s care to alleviate his crippling pain. And finally, there is Todd (Theo Rossi), the son with the least amount of baggage, whose problems are minuscule compared to the rest of the household. Todd is, as a matter of fact, the one who is the glue keeping the Kendalls from falling to pieces at a moment’s notice.

Kitchen sink events unfold rather quickly, often one on top of the other, and it becomes clear this is a family who needs a lot of healing. However, I’ve seen other movies about dysfunctional families and there is at least some levity in between the stories. Bad Hurt seems to have lumped together every possible combination of human suffering, so much that even a quiet tucking into bed or a funeral scene becomes a battlefield, and a conversation between father and son discloses a secret and unleashes bloody hell. I’m not saying this is a bad thing — catharsis is necessary in order not to end up like the family in the recent Louder than Bombs — but paring it down a little would have been better. Everyone appears to be carrying a massive burden and worse, unable to know when to stop, rest, and continue.

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