A Clash of the Privileged and the Destitute Meet in Styx

The first shot of Wolfgang Fischer’s movie enter site follow url emba essays https://www.lapressclub.org/hypothesis/dissertations-and-discussions/29/ follow link steps to write a good essay source url pope essay on criticism sparknotes follow link contest essay middle school go to site write my drama case study https://internationalfocus.org/university/theseus-greek-mythology-story-pdf/1/ http://mcorchestra.org/7568-complex-problem-essays/ https://www.epsteinatlanta.org/explore/thesis-template-for-libreoffice/26/ viagra pills china https://sacredwaters.net/citrate/cialis-time-start-working/60/ strattera online pharmacy gandhiji essay in punjabi here in welchem land bekommt man viagra rezeptfrei https://samponline.org/blacklives/essays-style-analysis/27/ enter site essay writer services go here see url conclusion paragraphs examples essays child labour in india essay changing perspective essay rule essay writing https://chanelmovingforward.com/stories/definition-of-personal-response-essay/51/ Styx concerns a paradise filled with wonder and endangered species. Ascension Island is a national park located midway between South America and Africa and is the place our heroine, Rike (Suzanne Wolff), a German doctor, is headed for a little bit of R & R.

Her story gets introduced rather sparsely, and only the bare-bones information is revealed. We learn she’s a skilled doctor, can handle herself alone, and seems to have little to no attachments to anyone. You could almost see a little bit of Hemingway in the narrative as she departs from Gibraltar towards Ascension Island in her yacht. Alone, in the expanse of the Southern Atlantic, Rike is seen performing rather mechanically as any boater would, but also enjoying the solitude of swimming naked in the ocean. Friendly banter with another ship informs her that a storm is coming, and much in the way of J. C. Chandor’s All Is Lost, it arrives. Rike is able to weather the worst of the storm well. What she isn’t prepared for is what comes next.

A large trawler riddled with people begging for help appears in the distance. Rike, appealing to her humanity, attempts to radio for help and is cooly advised that yes, help is on the way, but to steer clear from the trawler. however, Rike is close enough to induce a state of panic and people start jumping off the boat. One of them, a young African boy (Gedion Weseka) manages to swim all the way to Rike’s boat. Rike manages to get him aboard to safety. However, the boy’s sister is still on the boat. The boat is sinking.

Fischer’s story seems to shed some light on the struggle that refugees seek when setting out to unknown territories into an unknown but hopefully better future. The matter-of-fact coldness to which authorities continue to respond to Rike signifies how badly, how shabbily those in position to help treat the helpless, and how they see Rike as more of a commodity as a white woman of certain affluence. Rike herself quickly realizes she is literally navigating into forces that are completely out of her league and that even the compassionate act of saving one life won’t be applauded. Fischer’s Styx is a taut drama about two sides of a coin headed for the illusion of paradise, held together by a strong direction and Suzanne Wolff’s performance. In German and English with subtitles. [B+]

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