Director: Serge Bozon
Runtime: 91 minutes
Mostlyindies’ grading: A–
I doubt that Isabelle Huppert will ever repeat the same kind of powerhouse performance like the one she turned in a year ago in Paul Verhoeven’s rape-comedy-mystery Elle (a movie that was one of my top five of last year). That picture gave Huppert a role actresses unafraid to push the boundaries of their own selves would die for: a woman who, despite having gone through a horrific assault, still managed to come out on top and assert her dominance in the most unusual way possible. She returns to the 55th New York Film Festival with a completely different performance altogether.
In Serge Bozon’s newest film, a novel approach to the Robert Louis Stevenson horror novella The Strange Case of Dr Jekyll and Mr Hyde, Huppert plays Mme. Gequil, a woman that is basically living in abject fear (of what, we don’t know). Her home life is a quiet shambles as her husband (Jose Garcia) treats her with a certain condescension while he focuses on his composing. Her school life fares no better as students openly dismiss and mock her while she teaches and a colleague (Romain Duris), decked in outfits that resemble rejects from Miami Vice) basically finds any way to diminish her. One night, while working in her lab to prepare materials for her next class she gets struck by an enormous power surge caused by a lightning storm. Soon after, she’s showing signs of not being all there . . . displaying a ravenous appetite (until then she would secretly deliver half her food to neighboring dogs), a sudden desire for sex with her husband . . . and walks at night, where, glowing, she sets things on fire.
She also takes an approach to a disabled student, Malik, and by nurture alone she cracks the shell that Malik up until then had kept intact, turning him into her most prized student. Problems arise when the other part of her, the one that acts out at night, starts to manifest its own presence. It’s only time before things will get slightly out of hand. Will Mme. Gequil be able to control the Mme. Hyde she is slowly morphing into?
Huppert, as usual, delivers strong acting in a part that requires her to be basically two different personalities. For the most part Madame Hyde is fairly comedic — a class project based on the Faraday Cage serves as a perfect tool to enact a certain revenge filled with a restrained “fuck you” approach. It’s in the final act when Mme Gequi’s alter ego takes over, that Huppert sinks into what she does best, which is finding the pathos and tragedy within.
For lovers of Huppert, seek her out in Joachim Trier’s Louder than Bombs, Guillaume Nicloux’s Valley of Love, Bozon’s previous Tip-Top, Francois Ozon’s 8 Femmes, Mia Hansen-Love’s Things to Come, Michael Haneke’s The Piano Teacher, and Claude Chabrol’s Violette.
Madame Hyde has no known US Premiere date, but will premiere in France March 28, 2018.