Here we have a movie that should have been released formally before getting acquired by Netflix right after its world premiere at Fantastic Fest. It’s a shame, and no offense against Netflix, but had I known of this movie I would have front and center in a movie theater.
But, details, timing, it doesn’t matter. Netflix still holds streaming rights to Oriol Paulo’s The Invisible Guest (Contratiempo), where. it sits awaiting a click and a view. Paulo’s movie arrives drenched in Hitchcockian suspense from its opening sequence in which we get introduced to Adrian Doria (Mario Casas), a high-tech businessman caught in a nasty situation involving his now-murdered girlfriend Laura (Barbara Lennie). Doria stands accused of her murder, and his lawyer has contacted a no-nonsense, high-power attorney, Virginia Goodman (Ana Wagener), to defend him. Goodman, upon arriving at Doria’s apartment, reveals that the prosecuting side has found a credible witness who will testify against Doria, so he must tell his side of the story quickly and not omit a single detail to her.
Doria tells his story to Goodman, who, hawk-like and incapable of missing a beat, listens. We get a delicious cat-and-mouse game of storyteller and witness, but with the stakes so high, The Invisible Guest traverses the gamut of noir and whodunit as it had done this before and then some. It becomes next to impossible to establish a clear identification with anyone since both Doria and Laura become complicit in a horrible act of fate, the “setback” of the title. Through Doria, we see a man trying his best to save the skin from flying off him. However, Paulo has other designs on his story’s and he drops little crumbs to the audience just to see who pays attention, and who is simply watching.
No one does suspense as the Spaniards do, and Paulo’s The Invisible Guest is proof of my statement. His movie unfolds rather straightforwardly until what we are watching, what we are being forced to witness and accept, gets thrown out the window and we are left with a different reality. Savvy viewers might figure most of it out rather around the hour mark, but it doesn’t matter. Paulo’s story veers deep into Agatha Christie filtered through a Brian de Palma lens soon after and never bothers to look back to retrace its steps. And in the maelstrom, we have the accused and his defense attorney, measuring each other with pens that act like knives and glances that act as daggers.
The Invisible Guest is a thriller that oozes high-end, high-concept gloss and boasts strong performances by Casas, Wagener, Barbara Lennie, and Jose Coronado.
P.S.: As a side note, there have been a few remakes made from the ashes of this remarkable film. Just last year The Invisible Witness from Italy made its rounds in virtual release, and Netflix also hosts its Indian remake Badla. My advice: stick with the one that matters.